“[I]t is easy to lose sight of the dynamic, protean [varied] nature of mass sociogenic illness and its historical and transcultural manifestations, which mirror popular social and cultural preoccupations that define each era and reflect unique social beliefs about the nature of the world.” (5)
Water, nearly eighty percent of human body weight, is a liquid crystal superconductor.
“As a result of this influence,” wrote Thomas D. Schauf in a controversial review article and commentary urging the termination of the un-American Federal Reserve Bank, and the offshore bankers’ control over the U.S. Treasury, “the arc of Western Civilization has gone from ‘ascent’ ~ belief in God ~ focused on the higher centers of love, joy, purity and selflessness, to descent . . . focused on the lower centers of consciousness like those of power, wealth and physical gratification.
Light and sound is generated and measured mathematically, according to frequencies. It stands to reason then, following Schauf’s empirically evidenced thesis, we are engaged in a “conspiracy reality” in which ultimate power and control is waged bioenergetically (i.e., biospiritually), through frequency modulations or electromagnetic manipulations affecting “consciousness” and impacting biology, physiology, and human behavior.
World Wars I and II evidence the banking cartel’s profitable depopulation politics and policies. For instance, in 1914, at the beginning of World War I, the German Rothschild bank loaned money to the German government, the British Rothschild bank loaned money to Britain, and the French Rothschild bank loaned money to the French government.
A major objective of this war, and profitable population control, research was to determine the musical factors capable of producing psychopathology, emotional distress, and “mass hysteria.” (8)
This infamous treatise exclusively benefited the Anglo-American IG Farben-Rockefeller petrochemical-pharmaceutical alliance that vilified every form of natural healing to monopolize healthcare. Based on Flexner’s report, advancing the Rockefeller’s agenda, the US Government exclusively imposed medicine’s reliance on deadly, not curative, drugs as is ongoing today.
“This research report is presented here with the author’s permission but should not be cited or quoted without the author’s consent. . . .“Rockefeller Archive Center Research Reports Online is a periodic publication of the Rockefeller Archive Center. . . . intended to foster the network of scholarship in the history of philanthropy and to highlight the diverse range of materials and subjects covered in the collections at the Rockefeller Archive Center. The reports are drawn from essays submitted by researchers who have visited the Archive Center, many of whom have received grants from the Archive Center to support their research. The ideas and opinions expressed in this report are those of the author and are not intended to represent the Rockefeller Archive Center.” (8)
“The clear interest here seems to be in the ‘dramatic’ use emphasized in . . . bringing audiences, with the use of the ‘sensory appeal’ of sound effects, to states of ‘mass hysteria.’” (8)
"Hysteria and mass disorder. . . There is no musical or artistic experience here, but a sensual display that arouses feelings of aggression replete with sexual stimuli." (26)
On August 31, 1957, hysterical crowds trampled people, including Canadian reporter, John Kirkwood, who wrote: “It was like watching a demented army swarm down the hillside to do battle in the plain when those frenzied teenagers stormed the field. Elvis and his music played a small part in the dizzy circus. The big show was provided by Vancouver teenagers, transformed into writhing, frenzied idiots of delight by the savage jungle beat music. A hard, bitter core of teenage troublemakers turned Elvis Presley’s one-night stand at the Empire Stadium into the most disgusting exhibition of mass hysteria and lunacy this city has ever witnessed. . . . Colonel Parker also enjoyed reading the accounts of the riot the next day.” (16)
Thus, the Empire Stadium riot pleasing to “Parker” was most likely a successful US military-RCA experiment to induce “mass hysteria,” especially since RCA, according to Tobias, was a major participant in the Rockefeller Foundation-funded research to musically produce this precise audience impact. (8)
The incestuous commercial-military cartel that formed included RCA, General Electric, United Fruit, Westinghouse Electric Corporation, and AT&T. This alliance laid the groundwork for fascist control over the energy industries, including human energy (bioenergy) and spirituality that overlaps electro-genetics, and the eugenics and psychiatric genetics movements advanced at that time by the same players. (18)
We The People would be governed by the assertion that a “prudent corporate and military leadership of the National Security State could link guns, butter, and the new technology of missile and nuclear weapons production to the cause of Freedom and the Free World.” (7; p. 204)
Success was achieved at a 1939 international conference held in London. Presumably as a compromise between current tendencies and earlier pitch standards, it was agreed that the international standard for concert pitch would thenceforth be based upon A=440 Hz ~ very close to the Royal Philharmonic’s A=439 Hz of dubious derivation. The B.B.C. began to broadcast the A=440 Hz tuning note, which, for the sake of accuracy was produced electronically. (16)
The B.B.C. tuning-note is derived from an oscillator controlled by a piezo-electric crystal that vibrates with a frequency of one million Hz. This is reduced to a frequency of 1,000 Hz by electronic dividers; it is then multiplied eleven times and divided by twenty-five, so producing the required frequency of 440 Hz. As 439 Hz is a prime number a frequency of 439 Hz could not be broadcast by such means as this. (16)
According to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, (23) A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine. Alternatively, chakras above the heart are stimulated. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition and creative inspiration.
My own experience in tuning an electronic organ to be used as a continuos instrument with orchestra, in the late 1940s and early ’50s, showed me that New York orchestra musicians could with difficulty be induced to tune their instruments to a'=440 Hz, but that if the organ were tuned to that pitch it would in the course of performance be flat as compared with the other instruments. If, on the other hand, I tuned the organ to a'=444 Hz, this difficulty disappeared, and I take it that this latter pitch is approximately that at which New York orchestra musicians habitually play, and to which they involuntarily tend to return even if they have started out by tuning their instruments to a'=440 Hz. (16)
“The current tuning of music based on A=440 Hz does not harmonize on any level that corresponds to cosmic movement, rhythm, or natural vibration. Mozart and Verdi both based their music on natural vibration, and A=432 was nicknamed the ‘Verdi tuning.’ Most western music, including popular New Age music is still tuned at unnatural A=440Hz. The difference between A=440 Hz and A=432 Hz is only 8 vibrations per second, but it is a perceptible difference in the human consciousness experience.” (21)
“Archaic Egyptian instruments that have been unearthed, so far, are largely tuned to A=432Hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned to 432Hz. Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432Hz). (25)
In short, US Naval Intelligence oversees or administers the most advanced science in the fields of energy, bioenergy, and communications on behalf of global industrialists. Nuclear, radiological, biological, chemical, and musical weapons for controlling humanity most profitably and effectively fall within the Navy’s jurisdiction. (10)
That is, people’s bodies would bioenergetically entrain to the musical frequencies and electronically-engineered sound effects that would be most emotionally charged causing people to act in certain programmable ways.
As in the 1500s, wherein Shakespearian plays were promotionally pivotal in advancing English as the New World language, the twentieth century’s mass mediated musical manipulation of culture and consciousness is hereby exposed as the modus operandi of the Illuminati.
Populations are now tethered like sheep by psycho-emotional attachments and addictions to whatever this cartel sells and promotes through radio and television. This amounts to ENSLAVEMENT for the conduct of genocide.
Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency that resonates in harmony with aggression and in dissonance with LOVE.
Thus, musicians, vocalists, and audiences are urged to discuss these findings, reject the militarization of music that has been secretly administered, and retune instruments, voices, and ears to frequencies most sustaining and healing. Restoring integrity to the performing arts and sciences this way will impact populations most beneficially.