NARSHA AND SHINEE: ILLUMINATI INFILTRATION OF K-POP

Posted by Noor
January 21, 2011
Originally posted August 7, 2010
Vigilant Citizen

Narsha in another Gaga-esque outfit

It seems the same music is being created around the globe. Vigilant Citizen introduces us to Korean pop.  The first, Narsha, is pure Lady Gaga with more clothes because Korean society is much more modest. However her performance and dance moves could be from the same choreographer. The group SHINee, not mentioned in Vigilant's analysis is that during their dance routine, the el Diablo is flashed at least once.

Illuminati symbolism is not only present in American pop culture, it is also heavily referenced in Korean pop (K-Pop), a multi-billion industry that reaches millions of young fans. We’ll look at the occult symbolism found in Narsha’s “Bbi-Ri-Bop-A” and SHINee’s “Lucifer” to see how the same hidden force that rules the American music industry also rules K-Pop.

Most of the articles found on The Vigilant Citizen have discussed the Illuminati symbolism found in the works of American artists. In the last years however, the J-Pop (Japanese pop) and K-Pop (South Korean pop) industries have been producing their own factory-made pop stars to serve the enormous Asian market. Considering the importance of its large population, it is not surprising that the popular culture of the Far East is heavily tainted by the elite’s agenda.

Narsha’s video Bbi-Ri-Bop-A is a prime example of Illuminati symbolism in K-Pop, using the same story line, symbolism and color codes found in other ritualistic videos described on this site (see Rihanna, Lady Gaga, Beyonce). The homogeneity of the messages the global population is exposed to is becoming increasingly apparent as cultural and local differences are being replaced by a single, calculated and debased popular culture.

Here’s the video with subtitles.

ANALYSIS OF THE SONG AND VIDEO

The song and video revolve around the themes of ritualistic initiation and spiritual duality,  which have both been abundantly observed in other videos. Narsha starts by being a good, godly girl and undergoes a profound spiritual transformation.

The video begins with an average working guy (representative of the masses) working hard for his money. While drilling a hole, he accidentally uncovers a secret underground world that immediately attracts him.

He peeps through this world with his left eye, symbolic of the Eye of Horus and/or the All-Seeing  Eye.

He is then swept into an alternate, spiritual world 
~ some might call it the astral plane ~
where he must choose his spiritual destiny.

Narsha poses as a dualistic spiritual being, 
starting the video wearing classical Christian symbols

Narsha wearing Jesus Christ’s crown of thorns in front of a solar halo

 

The lyrics of the song invite the listener to follow her into a place “without sadness and happiness,” “with no disease,” but that is still compared to a nightmare. During the bridge of the song she says:

People that are worn out come to me
Give me your worn out soul
I will erase for you every memory you want to erase
What you want boy, what you want girl
Try to believe me, entrust me and come into me

While those words are being said, Narsha undertakes a visual spiritual transformation, illustrating the lyrics’ deeper meaning. Indeed, she is going from being godly to luciferian.

 

NARSHA’S INITIATION

 

At the start of this pivotal scene, Narsha is dressed like the Virgin Mary, in a white robe ~ representing purity and innocence ~ and is praying assiduously. A supernatural force then intervenes and starts her metamorphosis.

Narsha’s virginal white robe turns to red, the color of sacrifice and initiation

 

Narsha has her purity “tainted” by the supernatural force. She then changes into a crow and flies over to the trident in front of her, symbolically representing that she has gone to the “dark side”.

The trident is also known as the “devil’s pitchfork” in religious iconography, as the adversary of God is often depicted holding the weapon. The trident can also be associated with Shiva the Destroyer and Poseidon, two mythological figures usually depicted holding a trident and who are of great importance in secret society Mystery Religions.

 

 The devil, Shiva and Poseidon play similar roles in occult allegories.

The red-headed Narsha then zips through the forest where the construction worker is still looking for answers. The singer stops and unfolds big black wings, in a tribute to Lucifer, the Fallen Angel.  Narsha is in tears and looks troubled, hinting to a sense of pain and regret.

The construction worker is nevertheless attracted by the beautiful temptress and goes to her.

Narsha smiles with satisfaction. The same way she was tempted to convert to the dark side, she uses her alluring powers to bring other people to it.

The worker (who, remember, represents the ignorant masses) is then shown lying on the floor, dumbfounded and bewildered. We are back in the “real world”, hinting that the entire scene took place in the man’s spiritual interior.

The video to Bbi-Ri-Bop-A symbolically portrays what happens in the occult entertainment world. Promising young talents looking for fame and riches are chosen and “initiated” by the elite. The stars are then used to charm and attract unsuspecting minds ~ the fans ~ who admire and imitate them, ultimately adopting the values the elite wants them to adopt.

SHINee

K-Pop’s latest puppets?

 

SHINee is one of Korea’s most popular music acts. What seems to be an Asian male version of the Pussycat Dolls released a second album that seems on par with the Illuminati’s Luciferian agenda. It is subtly called ~ Lucifer. Here’s their video of the same name:

There is no elaborate storyline in this video just product placements from BMW, complicated hair and a supernatural force (Lucifer) mesmerizing the singers.

The song’s lyrics compare the love of a treacherous woman to the spell of Lucifer … or is it the other way around? Here’s an English translation of the lyrics:

Even if I try to avoid you, I can’t find a place to hide
I’m trapped by you, who I can’t even deny
If it was love, if you really loved me, don’t do this to me
Her whisper is the Lucifer

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

Your undeniable spell is the Lucifer
Your undeniable magic is the Lucifer
When I approach you
With your angelic face
Say the reason you live is for me
Say it

When I first saw you, I stopped for a short time
As if someone was tightly seizing my heart, not letting it go (still)
You took all, all, all, all, all, all of my heart just like that
You make my heart burn out when you’re not here

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

Loverholic, robotronic, loverholic, robotronic

The love stories I shared with you
You look towards the same places I do
When we feel that we can’t get any more perfect
Only stare at me, you want me more, more, more, more, more, more
Only look at me, you’re the center of everything, 
thing, thing, thing, thing, thing

Since before, something has been wrong, you’ve been weird
The love I knew left my side, one by one
All I have is you

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

I feel like I’ve become a clown trapped in a glass castle
I dance for you, who will never be satisfied
You look into me openly, touching my brain
I think I’ve become a fool
I think I’m only getting more and more attracted to you

Loverholic, robotronic, loverholic, robotronic

It’s not that I hate you or that I dislike you
It’s just that kind of stare is a burden is all
I’m not going anywhere
I’ve waited like this by only looking at you

Your stare captures me
As the days went by, it became sharper
I’m tired of your obsession
I’ve been cut a lot, my heart is bleeding
When it’s about time for me to pass out
She comes to me like an angel, saying “I love you”
Even though I knew it was really you
You really confused me

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

I feel like I’ve become a clown trapped in a glass castle
Leave me alone, when I’m free, I’ll be able to truly love you
Leave me alone, don’t make me sick of you
So I can truly look at you

If you tie me down and trap me
Then love is also tied down
The future is also tied down
It can’t grow anymore
Loverholic, robotronic, loverholic, robotronic
Your undeniable spell is the Lucifer
.

I feel like I’ve become a clown trapped in a glass castle ~ what an interesting way to describe the fate of pop stars. Like their counterparts of the Western world, these pop stars sing about being trapped, used and confused while their young fans dance and recite the words. As if to confirm the occult inspiration of the song, the video finishes with a shot of all the group’s members flashing the hermetic sign of “as above so below”.

SHINee pointing one finger up and one finger down while singing the word “Lucifer”

 

What other figure displays that sign? 
Oh yeah: Baphomet.

The whole “loverholic, robotronic” bit is reminiscent of the transhumanist theme found in western pop videos. The same mix of occult, robotic, mindless, mechanic and sexually ambiguous imagery found in Western Pop is found in the Illuminati-controlled K-Pop.

Overt occult imagery is also found in the group’s performances. Take a look at the stage they performed on in a recent performance.

SHINee litteraly surrounded by a Masonic checkerboard pattern.

I guess we know who owns them.

AUSTRALIA COULD BE DRAWN INTO A MILITARY CONFLICT ON THE KOREAN PENINSULA UNDER ITS ALLIANCE WITH THE US

US ALLIANCE COMMITS AUSTRALIA

Matthew Franklin 

From: The Australian 

November 29, 2010 12:00AM

Australia could be drawn in to any military conflict on the Korean peninsula under its alliance with the US, the government has confirmed.

Foreign Minister Kevin Rudd said yesterday he was watching events on the Korean peninsula with "razor sharp" eyes, as South Korea and the US began war games in the wake of several instances of aggression from North Korea.
....
Yesterday, amid reports of more artillery fire and the movement of missiles within North Korea, Mr Rudd used a television interview with the Nine Network to express deep concern about the developments and make clear Australia would have obligations to back the US and South Korea in any conflict.

He said the 1951 ANZUS Treaty set out that any attack on the territory of the signatories or on their armed forces within the Pacific area would require the allies to "act to meet the common danger", consistent with their constitutional processes. "That does not dictate an immediate course of military action but we need to be mindful of the fact that, when our forebears laid down this alliance, these considerations were taken into account."

Asked whether this meant that if the US went to war with North Korea, Australia would follow, Mr Rudd said he wanted to be "cautious and restrained" in his language. "Let's just ratchet this back a bit," he said. "There is a lot of instability on the Korean peninsula at the moment. I don't think any of us should be unnecessarily stoking it up.

"But I do simply state the obvious: that under our alliance with the United States, Article 4 of the ANZUS Treaty is clear about our requirements to act to meet the common danger and to do so consistent with our constitutional processes."
....
The Australian asked Mr Rudd whether parliament would debate Australia's options in the event of a US call for military help. A spokeswoman for Mr Rudd declined to elaborate, saying "Australia would work with the international community to respond in a calm and measured way."

SOUTH KOREA VOWS "ENORMOUS RETALIATION" AFTER BRIEF CLASH

A TV grab shows the moment of impact of one of the artillery shells fired by North Korea on the South Korean island of Yeonpyeong November 23, 2010

 

President Lee Terms Clash ‘Invasion’ 

 

by Jason Ditz,

antiwar.com

November 24, 2010

South Korean officials are promising “enormous retaliation” against North Korea after an hour-long clash between the two nations left two South Korean Marines dead and a number of others wounded. Reports of casualties on the North Korean side have yet to be confirmed.

North and South Korea, electricity grid.

“I think enormous retaliation is going to be necessary to make North Korea incapable of provoking us again,” insisted South Korean President Lee Myung-bak, who termed North Korea’s artillery strike on a military base an “invasion of South Korean territory.”

 

The strikes came after South Korean naval drills simulating an attack on North Korea were taken a bit too seriously, and North Korea fired on an island military base. The two sides traded artillery fire over a brief period.

The Obama Administration has vowed to defend South Korea and US Air Force chief Gen. Schwartz has also offered to “pitch in” in any South Korean strikes against the North in the future. Some 28,000 US troops remain along the border between the two nations, which have remained in a state of war for over half a century.

Firefighters extinguish a fire in Yeonpyeong Island November 24, 2010 after the island was hit by artillery shells fired by North Korea.

US aircraft carrier heads to Korean peninsula

2 more bodies found on island, raising death toll to 4; US exercises were planned before exchange of artillery fire between North, South Korea.

People look as smoke rises from South Korean Yeonpyeong Island after being hit by dozens of artillery shells fired by North Korea November 23, 2010 in this picture taken by a South Korean tourist. 

The USS George Washington, an aircraft carrier carrying 75 warplanes and a crew of over 6,000, shipped out towards Korean waters on Wednesday. According to US officials in Seoul, the carrier left Japan and was expected to join naval exercises with South Korea next week.

 

Destroyed houses are seen after they were hit by artillery shells fired by North Korea on Yeonpyeong Island November 24, 2010. 

US Forces Korea pointed out in a statement that while the exercises were “planned well before yesterday’s unprovoked artillery attack, it demonstrates the strength of the ROK (South Korea)-US alliance and our commitment to regional stability through deterrence,” emphasizing that the exercise was defensive in nature, according to Reuters.

Protesters burn North Korean flags, as a policeman (bottom R) tries to extinguish the fire, at a rally denouncing North Korea in Seoul November 24, 2010. South Korea warned North Korea of "enormous retaliation" if it took more aggressive steps after Pyongyang fired scores of artillery shells at a South Korean island in one of the heaviest attacks on its neighbour since the Korean War ended in 1953. 

RELATED:

Tensions rise after North, South Korea exchange heavy fire

Also on Wednesday, South Korea said it found the burnt bodies of two male civilians on the island attacked by North Korea one day before.

The South Korean Coast Guard said the two construction workers were found Wednesday. They were believed to be in their sixties. The discovery came day after a frightening military skirmish between the Koreas ratcheted tensions on the peninsula to new extremes.

Residents at an air-raid shelter after being evacuated from Yeonpyeong Island following the artillery attack

 

On Tuesday, North and South Korea exchanged artillery fire after the North shelled an island near their disputed sea border, killing at least two South Korean marines, setting dozens of buildings ablaze and sending civilians fleeing for shelter.

  The clash, which sent South Korea’s military on high alert, was one of the rivals’ most dramatic confrontations since the end of the Korean War, and one of the few to put civilians at risk, though no non-military deaths were immediately reported.

Sixteen South Korean soldiers and three civilians were injured; the extent of casualties on the northern side was unknown.

 Lee Hong-ki (2nd L), military operation division chief of South Korean Joint Chiefs of Staff, holds a briefing after North Korea's firing on South Korean Yeonpyeong Island, at Defence Ministry in Seoul November 23, 2010. 


The skirmish began when Pyongyang warned the South to halt military drills in the area, according to South Korean officials. When Seoul refused and began firing artillery into disputed waters, albeit away from the North Korean shore, the North retaliated by bombarding the small island of Yeonpyeong, which houses South Korean military installations and a small civilian population.

 Please enlarge this thumb and learn a wee bit about N. Korea.