Jewish political blogger and journalist Glenn Greenwald, writing in The Guardian, succinctly summed up the main propagandistic feature of the soon to be released movie Zero Dark Thirty: the justification and even glorification of torture and other tyrannical, anti-American policies criminally prosecuted by the Jewish controlled United States government and military as a result of the false flag PSYOP organized by "Israel’s" Mossad on 9/11:
This film presents torture as its CIA proponents and administrators see it: as a dirty, ugly business that is necessary to protect America. There is zero doubt, as so many reviewers have said ~ that the standard viewer will get the message loud and clear: we found and killed bin Laden because we tortured The Terrorists. No matter how you slice it, no matter how upset it makes progressive commentators to watch people being waterboarded, that ~ whether intended or not ~ is the film's glorification of torture.
I have already said that I am not involved in the 11 September attacks in the United States. As a Muslim, I try my best to avoid telling a lie. I had no knowledge of these attacks, nor do I consider the killing of innocent women, children, and other humans as an appreciable act. Islam strictly forbids causing harm to innocent women, children, and other people. [...]
The United States should try to trace the perpetrators of these attacks within itself; the people who are a part of the US system, but are dissenting against it. Or those who are working for some other system; persons who want to make the present century as a century of conflict between Islam and Christianity so that their own civilization, nation, country, or ideology could survive. …Then you cannot forget the American Jews, who are annoyed with President Bush ever since the elections in Florida and want to avenge him. [...]
I have already said that we are not hostile to the United States. We are against the system, which makes other nations slaves of the United States, or forces them to mortgage their political and economic freedom. This system is totally in control of the American Jews, whose first priority is Israel, not the United States. It is simply that the American people are themselves the slaves of the Jews and are forced to live according to the principles and laws laid by them. So, the punishment should reach Israel. In fact, it is Israel, which is giving a blood bath to innocent Muslims and the US is not uttering a single word.
The ideological framework for the "Global War on Terror" was established back in 1979 at the Jerusalem Conference on International Terrorism organized by none other than top 9/11 war criminal and current Prime Minister of "Israel" Benjamin Netanyahu.
1) the complete elimination of the most basic precepts of Western jurisprudence and rule of law, resulting in a tyrannical Jewish police state and Orwellian political and cultural atmosphere in Western countries; and
2) the launching of illegal wars of aggression against an unidentifiable, mysterious "Islamic boogeyman" - all of whom happen to reside in countries that "Israel" considers a "threat" in the Middle East. The
"Global War on Terror"Jewish War of Terror is primarily aimed at the destruction of the Islamic peoples’ innate cultural and political resistance to the destructive nature of international Jewry, and secondarily to secure the vast natural resources of the Middle East for Jewry's plunder.
The role of Jewish propaganda, lies, and disinformation in controlling the thoughts, outlook, and worldview of the vast majority of the people on this planet cannot be underestimated.
Glenn Greenwald expands on this topic in the article cited above:
As it turns out, the most pernicious propagandistic aspect of this film is not its pro-torture message. It is its overarching, suffocating jingoism. This film has only one perspective of the world ~ the CIA's ~ and it uncritically presents it for its entire 2 1/2 hour duration.
All agents of the US government ~ especially in its intelligence and military agencies ~ are heroic, noble, self-sacrificing crusaders devoted to stopping The Terrorists; their only sin is all-consuming, sometimes excessive devotion to this task.Almost every Muslim and Arab in the film is a villainous, one-dimensional cartoon figure: dark, seedy, violent, shadowy, menacing, and part of a Terrorist network (the sole exception being a high-level Muslim CIA official, who takes a break from praying to authorize the use of funds to bribe a Kuwaiti official for information; the only good Muslim is found at the CIA).
Other than the last scene in which the bin Laden house is raided, all of the hard-core, bloody violence is carried out by Muslims, with Americans as the victims. The CIA heroine dines at the Islamabad Marriott when it is suddenly blown up; she is shot at outside of a US embassy in Pakistan; she sits on the floor, devastated, after hearing that seven CIA agents, including one of her friends, a "mother of three", has been killed by an Al Qaeda double-agent suicide-bomber at a CIA base in Afghanistan.
News footage is gratuitously shown that reports on the arrest of the attempted Times Square bomber, followed by Mayor Michael Bloomberg's pronouncement that "there are some people around the world who find our freedom so threatening that they are willing to kill themselves and others to prevent us from enjoying them." One CIA official dramatically reminds us: "They attacked us on land in '98, by sea in 2000, and by air in 2001. They murdered 3000 of our citizens in cold blood." Nobody is ever heard talking about the civilian-destroying violence brought to the world by the US.
The CIA and the US government are the Good Guys, the innocent targets of terrorist violence, the courageous warriors seeking justice for the 9/11 victims. Muslims and Arabs are the dastardly villains, attacking and killing without motive (other than the one provided by Bloomberg) and without scruples. Almost all Hollywood action films end with the good guys vanquishing the big, bad villain - so that the audience can leave feeling good about the world and themselves - and this is exactly the script to which this film adheres.
The point is that the movie depicts torture as being the essential tool used to locate and “take out” bin Laden, thus justifying and legitimizing these disgusting, barbaric tactics, both retroactively and in the future.
My only question is whether or not the average American has the intelligence and critical thinking abilities to even question the blatant propaganda promoted in this and other movies like it, let alone recognize the fraudulent nature of it all.